Discipline: Visual Art – painting

Benny Andrews

Discipline: Visual Art – painting
Region: Brooklyn, NY
MacDowell Fellowships: 1973, 1974, 1975, 1978

Benny Andrews (1930-2006) was born in rural Georgia. He began his painting practice while studying at the School of the Art Institute of Chicago. After graduating in 1958, he moved to New York City where he continued his work, developing a technique of rough, expressive collage that incorporated cut fabric and paper into his oil paintings. In 1962, the Forum Gallery mounted his first New York solo exhibition. He went on to develop a reputation as a socially-minded artist and an advocate for greater visibility of African Americans in the art world. For the next four decades, he made and exhibited work in New York, and dedicated himself to activism and education in the community.

Andrews continued his prolific output of artwork, which ranged from explorations of history and social justice to intimate depictions of friends and family, until his death in 2006. Throughout his life, he was adamant that to truly effect social change, making art was not enough. He led art education programs for underserved students through Queens College and local community programs, and implemented a groundbreaking model for teaching art in prisons. In 1969, he co-founded the Black Emergency Cultural Coalition, which demanded greater visibility for people of color in art museums and the historical canon. He taught at Queens College through the 1990s, stopping briefly, from 1982 to 1984, to serve as the Director of the Visual Arts program for the National Endowment for the Arts. In his final years, Andrews illustrated children's books about the lives of Langston Hughes, W. W. Law, Josephine Carroll Smith, and Civil Rights leader Congressman John Lewis.

Studios

Cheney

Benny Andrews worked in the Cheney studio.

Cheney Studio was given to MacDowell by Mrs. Benjamin P. Cheney and Mrs. Karl Kauffman. Like Barnard Studio, Cheney is a low, broadly massed bungalow. Sited on a steep westward slope, its porches are supported on wooden posts and fieldstone with lattices. Although it still retains its appealing character, the original design of the shingled building…

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