Henry Brown’s paintings are mechanically drawn geometric abstractions. He forms his imagery from structural schematics constructed with compass and ruler. The schematics are developed from small sketches and then drawn directly on the gessoed canvases. Henry Brown paints the images, but leaves the underdrawings visible to show the substructure, planning and execution of his artwork.
The artist uses mechanical drafting techniques and paints with flat unmodulated color. Yet Henry Brown retains a handmade quality in his artwork, seen in the knifed finish of the gessoed layers, variations in pencil lines and eccentricities of the painted edges.
His imagery appears to be fixed spatially, but visual perception triggers sensations of movement. Depth shifts as surfaces advance and recede. Henry Brown animates the surfaces of his abstract paintings with systems of perspective, dynamic structures, and changing figure-ground relationships.
