Canadian-born, Scotland-based composer Emily Doolittle’s music has been described as “eloquent and effective” (The WholeNote), “masterful” (Musical Toronto), and “the piece…that grabbed me by the heart” (The WholeNote). Doolittle has been commissioned by such ensembles as Orchestre Métropolitain, Tafelmusik, Symphony Nova Scotia, the Paragon Ensemble, and Ensemble Contemporain de Montreal, and supported by the Sorel Organization, the Hinrichsen Foundation, Opera America, the Canada Council for the Arts, and the Fulbright Foundation, among others. Originally from Nova Scotia, Canada, Doolittle was educated at Dalhousie University, Indiana University, the Koninklijk Conservatorium, and Princeton University. From 2008-2015 she was on the faculty of Cornish College of the Arts in Seattle. She now lives in Glasgow, Scotland, where she is an Athenaeum Research Fellow at the Royal Conservatoire of Scotland. Her chamber music CD all spring, performed by the Seattle Chamber Players and friends was released on the Composers Concordance Label in 2015.
Emily Doolittle worked in the Sprague-Smith studio.
In January of 1976, the original Sprague-Smith Studio — built in 1915–1916 and funded by music students of Mrs. Charles Sprague-Smith of the Veltin School — was destroyed by fire. Redesigned by William Gnade, Sr., a Peterborough builder, the fieldstone structure was rebuilt the same year from the foundation up, reusing the original fieldstone. A few…