Kristina Wong was featured in the New York Times’ Off Color series “highlighting artists of color who use humor to make smart social statements about the sometimes subtle, sometimes obvious ways that race plays out in America today.” She is a performance artist, comedian, writer, and elected representative who has been presented internationally across North America, the UK, Hong Kong, and Africa. She’s been a guest on late night shows on Comedy Central and FX, and an actor on film and TV. She starred in her own pilot presentation with Lionsgate for truTV. Her commentaries have appeared on American Public Media’s Marketplace, PBS, VICE, Jezebel, Playgirl Magazine, Huffington Post, and CNN. She’s been awarded artist residencies from MacDowell (where she developed her play Cat Lady), New York Theater Workshop, the San Diego International Airport, and Ojai Playwrights Festival. Her work has been awarded with grants from Creative Capital, The MAP Fund, Center for Cultural Innovation, National Performance Network, a COLA Master Artist Fellowship from the Los Angeles Department of Cultural Affairs, as well as eight Los Angeles Artist-in-Residence awards. Center Theatre Group honored her as the 2019 Sherwood Award recipient for her exceptional contribution to the Los Angeles theatre landscape and her work as an innovative and adventurous artist. Among the numerous immersive theater experiences she’s helped create, Kristina recently wrote the script for the Mad Hatter Gin and Tea Party. She’s created viral web series like How Not to Pick Up Asian Chicks and is in post-production on the second season of Radical Cram School. Her rap career in post-conflict Northern Uganda is the subject of her last solo theater show The Wong Street Journal which toured the US, Canada and Lagos, Nigeria (presented by the US Consulate). Her long-running show Wong Flew Over the Cuckoo’s Nest looked at the high rates of depression and suicide among Asian American women and is now a concert film. Her newest performance project is “Kristina Wong for Public Office” – a simultaneous real-life campaign for public office and performance art piece. In her most blurry performance piece yet, Kristina currently serves as the elected representative of Wilshire Center Koreatown Sub-district 5 Neighborhood Council.
Kristina Wong worked in the Watson studio.
Built in 1916 in memory of Regina Watson of Chicago, a musician and teacher, this studio was donated by a group of her friends, along with funds for its maintenance. Originally designed to serve as a composers’ studio and recital hall for chamber music, the latter purpose was soon found to be too disruptive to…